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(2015), for example, is lithe to the point of quivering: the tangerine background playing against the plummy brown of the subject’s pouchy testicles, ice-green strokes giving swell to his buttocks.
Yet, there is an evacuated quality, too; the larger expanse of skin carries an anaemic cast. The frontal framing of buttocks in (1980), but the comparison serves to show up the former’s odd docility, the subject aimless in his blue surroundings.
When Chatroulette went offline for a week last month, many expected a new version that would clean up the service.
But then ‘without awkwardness’, Hempton says, the process ‘just becomes about making a painting again’.Last year, these broad, overlapping patches of dead colour, accented by scumbled streaks, greedily covered the walls in Hempton’s presentation at the 10th Gwangju Biennale and her show at Galleria Lorcan O’Neill in Rome.At times, her ambition seems as expansive as these fields of colour: to make scenery of enveloping skin, and to turn bodies into boundless worlds. This year, she has had solo shows at Galerie Sultana, Paris, France, and White Cubicle, The George and Dragon.The live video chat site that connects you to other random users has recently begun blurring the images of others when you first see them, gradually un-blurring the screen over a few seconds, allowing you time to move on before seeing something you'd rather not.It's likely meant to fight back against the hordes of exhibitionists and male genitalia that have plagued the site. When Chatroulette went offline for a week last month, many expected a new version that would clean up the service.